I have been to see NDS in Tatsfield a few times in the past, and very much enjoyed it - hence I was keen to see them again on this pleasant Spring evening. The first item on the programme was Mozart’s overture to ‘La Clemenza Di Tito’ – a perfect example of an operatic overture from the peak of the classical period. A bright and confident opening led us to fine soloist woodwind playing, the theme of which was taken up and developed by the strings. The work ended with a rousing orchestral tutti – this short musical amuse bouche certainly whetted my appetite to experience the full opera.
The next item was Elgar’s Violin Concerto, performed by renowned international soloist Edwin Kim, who had flown in from overseas especially for this evening. And how lucky we were to see him and hear his rendition of the work. The opening entry of the violin was so plaintive and moving that it was almost voice-like. This sensitivity was maintained throughout, despite the huge technical demands made by the music. NDS coped admirably with the many rubato sections, and the rapid string crossings executed by the soloist were a delight to experience. The second movement was a marked contrast to the first – much more intimate and lyrical, although the impassioned climax brought to mind similar moments in Elgar’s cello concerto. After this, the final movement began quietly, but with a sense of a gathering storm. The cadenza was a particular highlight, with the dark pizzicato accompaniment of the string section providing a sense of drama to the climax of the work. All in all, this was a virtuoso performance, which gave rise to tumultuous applause from the audience.
The final item was Beethoven’s Fifth Symphony, one of the
best-known compositions in classical music. After the famous opening, the
strings take the theme and expand on it – this was carried out with much
vigour - worthy of a much larger string section than was actually present. The
oboe solo towards the end of the movement was played with great sensitivity.
The second movement exhibited some fine dynamic contrasts, particularly in the
woodwind, and the third movement echoed the minor key of the opening, with the
theme introduced by the cellos and basses with great clarity. This movement
transitioned dramatically into the fourth, with some atmospheric brass playing.
Concluding the symphony is a long coda section, which NDS made very special
with an exciting accelerando. Overall a very spirited performance to round off
a very enjoyable evening. I am looking forward to the next concert already.
Andrew Quinn